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    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 121 results
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The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints
Pietro Testa
ca. 1645
The Holy Family fed by Angels
Pietro Testa
ca. 1642–44
The adoration of the shepherds who gather at left, angels holding a banderole upper right
Anonymous, 18th century
1700–1800
The garden of charity, woman representing Charity at right surrounded by children
Pietro Testa
ca. 1631–37
The rest on the Flight into Egypt
Andrea Scacciati
1740–71
The deluge, figures being pulled from the water
Pietro Testa
ca. 1640–42
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648
An allegory of Spring announced by the arrival of the sun, personfied by Apollo, in the sign of Gemini, after Testa
Georg Andreas Wolfgang
1650–1700
A young man at left standing between Vice and Virtue holding a shield flanked by figures; attributes and personifications of Virtue at left, satyrs, Pan and dancing figures representing Vice at right
Pietro Testa
ca. 1644
An allegory of painting
François Collignon
17th century
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
1637–38
The Holy Family with Attendant Angels
Pietro Testa
1612–50
Sinorix being carried from the temple after being poisioned
Arnold van Westerhout
1650–1700
Allegory of Penance and Death
Pietro Testa
1612–50
The Prodigal Son Among the Swine
Pietro Testa
ca. 1645
The Return of the Prodigal Son, Shown Embracing His Son
Pietro Testa
ca. 1645
The sacrifice of Iphigenia
Arnold van Westerhout
1650–1700
Classical scene of figures gathered around an orator at right (possibly related to healing the lame)
Matthias Oesterreich
1752
Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning
Pietro Testa
ca. 1640
The dead Christ accompanied by angels at right
Giovanni Cesare Testa
1650–55
The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso)
Pietro Testa
1612–50
The Academy of Painting (Il Liceo della Pittura), after Pietro Testa
Pietro Testa
ca. 1685–1700
Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
ca. 1631–37
Head of a woman
Pietro Testa
ca. 1758
The martyrdom of Saint Erasmus who is prostrate having his innards removed
Anonymous, 17th century
1630–60
The suicide of Dido who reclines on a pyre in centre, surrounded by many figures
Giovanni Cesare Testa
1650–55
Head of a woman
Pietro Testa
ca. 1758
Putto at the left hold aloft grapes,another seated at the right holding an urn, an allegory of the seasons (Summer), an oval composition
Anonymous, 17th century
ca. 1650–80
Venus giving arms to Aeneas
Pietro Testa
ca. 1638–40
Allegory of Winter
Pietro Testa
1644
Two figures representing Sloth and Poverty
Anonymous, 18th century
1700–1800
The sacrifice of Isaac by his father Abraham
Pietro Testa
ca. 1640–42
The birth and the infancy of Achilles
Pietro Testa
1648–50
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648
Stucco bas-relief with two male figures
Anonymous, 18th century
1700–1800
The suicide of Dido lying on the pyre in the centre surrounded by figures
Anonymous, 18th century
1780
The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids
Pietro Testa
ca. 1631–37
Study for the Etching Venus and Putti
Pietro Testa
1612–50
Saint Sebastian being tied to a tree
Girolamo Pedrignani
1625–50
Self-Portrait
Pietro Testa
ca. 1645